Kwaito is branded as apolitical; often associated with the advancement of personal wealth, Glamorized gangster lifestyle, and frivolous consumption themes found in much of Jamaican Dancehall and Rap. The Genre is associated with a new political freedom gain since the end of Apartheid in South Africa and less political strife. The form of the Kwaito produced by Zola is in that case an anomaly in that it is very much politically charged and contains a social message.
Zola raps in isiZulu with a high usage of Tsotsitaal. The latter is the vernacular slang in South Africa. This infusion of colloquial dialect with a national language allows for better interaction between the artists and the community South Africans in lower socio-economic classes who live in the townships and speak Tsotsi can relate to Kwaito music differently from Cape Town hip hop or US hip hop because of the lyrics. Additionally many of his songs describe situations of life in the townships, particularly Soweto